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Virtual Reality Roller Coasters: Cool Ideas, Terrible Execution

(Images to be added soon)

The virtual reality hype train sure is running on full steam lately. In recent years, we’ve seen the fledgling concept of virtual reality rise from the grave of obscurity into an all new tech trend. Devices like the Occulus Rift and Samsung’s Gear VR headset are selling out in huge numbers, and it’s no wonder why so many game developers are eager to work with VR. The technology offers so many possibilities for consumer immersion, that filmmakers and even restaurants have started using it, hoping to revolutionize the way they tell stories and sell products respectively.  It should therefore come as no surprise that the amusement park industry is trying to make use of the technology.

This year, we’ve already seen several “virtual reality roller coasters” pop up at Alton Towers and various Six Flags theme parks.  With the use of VR headsets, these parks hope to turn their seemingly ordinary roller coasters into fully-immersive media experiences for guests to enjoy. Instead of just seeing the track ahead of you, you can be surrounded by explosions and city skylines as you fly through the air. It sounds promising, but can such an ambitious concept work as well as a whole?

As a huge coaster fan, I wasn’t sure if completely updating the traditional experience of a roller coaster would be more than just a trendy gimmick. However, I was still willing to give it a shot, as the idea of adding immersive media to already thrilling rides admittedly caught my interest.

Last Sunday, I drove up to Six Flags New England, where a VR experience was recently added to Superman: The Ride. Upon entering the station, I didn’t exactly get a good first impression of the ride. The experience uses the Samsung Gear VR headset, which is held onto riders with three Velcro straps that go around the head, a Velcro chin strap and a  lanyard that is buckled around the neck. Right off the bat, I noticed many of the passengers struggling to put on their headsets while seated. This caused ride attendants to go back and forth making sure the guests had their headsets on correctly. Meanwhile, the passengers in the train behind them were sitting in the hot sun waiting for the train to leave the station.

In the meantime, a ride attendant gave me my headset in a haste as two another attendants rushed to sanitize the ones from the last train. While it was good to know that the sweat and grease from the previous passenger wouldn’t be on my face, I was concerned at how the headsets were being cleaned. The employees seemed to be rubbing the headsets’ padding with damp hand towels at an alarmingly fast pace. I suddenly felt a rush of sympathy for the workers, as they were probably instructed to clean the headsets as quickly as possible. One year ago, when the ride was painted purple and called Bizzaro, the workers at the station were much more relaxed and nobody was rushing to clean twenty pairs of VR headsets at a time. I could only imagine how much the workers longed for the days without VR and stressful labor.

After getting my headset, I was immediately told to wait behind the gates, as I was the next person to board the roller coaster. The previous train was still not ready to leave the station, so I  still had a little while to wait before I could get on the ride. At this point, I noticed that the ability to choose which seat to take was gone. Instead of getting to wait a little longer to sit in the front seat, I was directed to sit in the middle. While this isn’t that big of a deal, I was pretty disappointed to see the front row queue taken over by a cabinet full of headsets. It seemed like traditional convenience was sacrificed in favor of modernizing the ride.

Five minutes later, I was still waiting to board the ride, as the train full of people was not ready to leave the station. The ride attendants were simply unable to make sure every headset was secure in a timely fashion, so I and everybody else still in line had to wait much longer to board the ride than I did last year.

After what seemed like ten minutes, I was finally able to board the next train. I got in my seat and attempted to put on the headset, only to realize that I was not instructed on how to put it on. After all, it’s pretty hard to put on something when it’s blocking your vision.  Eventually, a ride attendant was able to help me put it on and I was greeted with the sight of some pretty underwhelming visuals.

Upon putting on the headset, I was greeted with a blurry view of Metropolis. I took on the role of a kid wearing a batman shirt sitting in what seemed like a single-person monorail. The headset uses a Samsung Galaxy S6 Edge to display the graphics, so they were naturally quite lacking for such a hyped-up ride experience. Everything looked like it was straight out of a PS2 game, and for something that was billed as being a high-tech experience, I was pretty let down by it. Still though, at least it was in color and not in red and black (*cough* Virtual Boy *cough*).

A few more tedious minutes went by before the train finally left the station, sending me and the rest of the passengers up the lift hill. As the train ascended the lift hill, the screen showed Lex Luthor using a tractor beam to derail the monorail and send it floating into the air. This could have been a cool scene, except for the fact that there was no sound to accompany it. All I heard was music playing on the lift hill’s speakers as Lex Luthor tore up the monorail station. The lack of any sound effects killed most of the immersion, and I was suddenly pretty apathetic to the whole experience.

Soon enough, the train reached the top of the lift hill, and Superman showed up on screen to save the day. Thankfully, this is where the ride finally started getting good. The second that Superman blasts Lex’s tractor beam, you’re sent flying down towards the street. This is the part where I started screaming repeatedly as the force of the drop completely took me by surprise. The inefficiency of the headsets and the subpar graphics had lowered my expectations to a point where I forgot that I was riding a 200+ foot tall ride.

Once the ride got going, my criticisms of the graphics went straight out the window as I was suddenly fully immersed in the environment. I was flying through an epic battle between Superman and Lex Luthor, and was enjoying every second of it. I hadn’t memorized the track layout, so every new twist and turn was unexpected, and added to the ride’s excitement. Not being able to see the track made the ride an unpredictable and terrifying experience, and I had a big fat smile on my face by the end of it. Of course, that smile was quickly flattened out by having to wait for the train ahead to leave the station, but the ride still entertained me overall.  

Thankfully, despite some outdated visuals, the ride was still just as exciting as I hoped it would be. However, due to the absolute inefficiency of the headsets, I still think that the ride would be better off without it.

Before the VR, this ride had fast wait times and could dispatch ten trains in five minutes. Now it takes ten times as long for passengers to board, and the headsets are far too difficult to put on. Later that day, the ride had a wait time of over two and a half hours, while most of the other rides had wait times of under twenty minutes.

Although the VR is optional, it still put a heavy burden on guest service and efficiency.  According to other coaster fans I’ve spoken to, many of the other new VR roller coasters have the same problems. While VR roller coasters still have potential, the concept should probably have waited a bit longer before being green-lit. The idea is still too young, and the inefficiency of its current execution overshadows the enjoyment of the ride itself.

What Batman v Superman Did Right…and What It Did VERY Wrong (SPOILERS)



(Also posted on Nerd Bastards)

Batman V Superman: Dawn of Justice…one of the most hyped movies of the year. After many long decades of waiting, we the audience get to see the Dark Knight and the Man of Steel duke it out on the big screen. That’s not all though; we’re gonna be getting our first look at Wonder Woman in all her bad ass glory. In an age of superhero movies being released up the wazoo, dedicated fans have been waiting on baited breath to see DC’s attempt at building its own cinematic universe. So how exactly did it turn out? Well…it did some things right…and some things VERY wrong. Continue reading

Arnold Schwarzenegger Says ‘Terminator 6’ is Still Happening

The franchise could be coming back from the grave of mediocrity.

(Originally posted on Nerd Bastards)

“I’ll be back…hopefully in a better movie.”

When Terminator: Genisys was released last year, plenty of fans considered it to be the official death of the Terminator franchise. Even with Arnold Schwarzenegger reprising his role, Genisys still disappointed fans with its numerous plot holes, contradictions, and overall disregard for the franchise’s mythology. As if the cold reception from fans wasn’t bad enough, the film absolutely tanked at the domestic box office. Even an amazingly delicious burger at Red Robin couldn’t get more people to see it. Sure, it was able to find financial success overseas, but by then the damage was already done to the film’s reputation. The franchise indeed seems to be dead and buried, but its star begs to differ.

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‘Allegiant’ Review: You Can’t Cover up a Convoluted Story with Special Effects


There’s a common theory that going into a movie with low expectations will help you appreciate it more and leave you pleasantly surprised. That’s certainly not the case for Allegiant.

The Divergent series had the potential to be the next Hunger Games. The first film boasted an amazing cast (except for the incredibly boring Theo James), had some impressive action sequences, and built an interesting world that left viewers wanting more. Sure it had an incredibly dull love story and a slew of YA cliches, but it was still a pretty decent effort with great franchise-potential. However, the second film pretty much flushed that potential down the toilet with bad dialogue, an overload of subplots and a convoluted story. So at this point, why should I even bother reviewing Allegiant? Because I’m a glutton for punishment.

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Possible Ghostbusters Spoilers Hint That We May Have a Disaster on Our Hands


(Originally posted on Nerd Bastards)

Sony’s upcoming Ghostbusters reboot is perhaps the most hated movie on the internet right now. As of right now, the film’s trailer has about as many dislikes on YouTube as a Donald Trump speech. While some of these haters can just be written off as sexist trolls upset at the idea of female Ghostbusters, others are pessimistic for completely valid reasons. YouTube users like Boogie2988, Angry Joe, and Comic Book Girl 19 have all expressed their disdain for the film’s trailer. They, along with many other commenters, say that it looks like a cheap nostalgia-based cash-in with bad CG. Still though, only the trailer has been revealed so far, and for all we know, the movie itself could be fantastic. Unfortunately, according to a possible early screening of the film, it may end up being as fantastic as Fant4stic.

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’10 Cloverfield Lane’ Review: John Goodman Sure is Scary…


(Originally posted on Nerd Bastards)

The best way to describe watching 10 Cloverfield Lane is like eating chocolate ice cream with lemon-infused olive oil: it’s unusual but tastes absolutely delicious. Audiences expecting a Cloverfield spin-off will be greatly disappointed. There’s no giant monster wrecking a city, no shaky-cam, and no T.J. Miller screaming “Oh my god!” It’s a smaller, more humble film that resembles an apocalyptic thriller more than a monster-disaster movie. J.J. Abrams made it clear on several occasions that this film would be a “blood relative” to the original Cloverfield and not feature the first film’s monster. The only thing these films have in common are their extraterrestrial and horror themes. It’s much like what John Carpenter tried to do with the Halloween films by having several films with different stories all set during the holiday (before audiences decried the third film’s lack of Michael Myers). Much like Halloween 3, 10 Cloverfield Lane focus on crafting a new story instead of rehashing an old one. As a result, the sheer quality and ambition of 10 Cloverfield Lane is absolutely enough to make it even better than the film that spiritually preceded it.

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Gods of Egypt Review: A Plague of Terrible Writing and Bad CGI.


(Originally posted on Nerd Bastards)

As I was watching Gods of Egypt, I was reminded of an episode of Disney’s often-criticized version of Doug. The episode involved a big-shot character named Guy being inspired by a Broadway show to make a musical based on the Mona Lisa. He asks a goofy character named Skeeter to write it.

Skeeter asks: “What’s the story?”

To which Guy responds: “Who cares? It’s the most famous painting ever! It’s gotta be (great), right?”

Guy proceeds to tell Skeeter: “Just remember, it’s gotta be big! Big! BIG! Lights, songs, explosions!”

Skeeter has trouble thinking of a story, so Doug hands him a book of fairy tales. Skeeter ends up writing a cliched story that pretty much rips off Cinderella, and Guy loves it.

And then it hit me: in 1997, Disney’s Doug predicted the inception of Gods of Egypt almost two decades later. Alex Proyas probably skimmed a book on Egyptian mythology and ordered a big-budget blockbuster based on his perception of it. He then proceeded to hire two hapless writers to fulfill his fantasy with absolutely no attention to the story or its characters. Say what you want about Disney’s Doug, but it made a solid prediction if you ask me.

NOTE: This review contains SPOILERS.

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